The Area around Bromley North Station has been on the plans for redevelopment, for at least 10 years. Each new version increases the number of ‘units’ (housing units, in this case flats) that are expected to fit on the site. At the current rate the eventual build will be 8-12 storey line, in the style of Byker Wall, marching down Babbcombe Road…
Babbacombe Road (and Area) Residents Association have been tireless in trying to rein these proposal down to a height which will not dominate their roads, our town centre, and the conservation area.
Site policy:
Redevelopment for mixed use including 525 residential units, 2000 sqm of office accommodation, space for community use, 230 sqm café/retail, transport interchange and parking.
Proposals will be expected to: Provide a sensitive and effective transition between the adjoining low rise residential areas and the higher density town centre.Respect and enhance the setting of the Grade II Listed Bromley North station buildingAllow for the long term aspirations for improved rail connectivity to central and east London.
Designed by the Arts and Crafts architect Ernest Newton (see our page here).
The Martins Bank website provides some more pictures of the interior of the building, with an interesting note on the occasion: “For our Bromley Branch features, we look at the retirements of two members of the staff reported as usual by Martins Bank Magazine. The second one takes place in 1969, and we find that although a farewell party is held for him, it is the wish of Manager Mr Howard that no-one should make a speech or offer a retirement gift paid for by colleagues. Note the interesting choice of words by Martins Bank Magazine, citing Mr Howard’s “individualism” as the reason. “
This beautiful drawing by S Crawford, is printed in the French magazine “L’Architecte” in 1914. It show the newly completed façade of Martin’s Private Bank in Bromley, designed by Architect Ernest Newton.
Cafe Rouge occupies the first building displaying the transition from a small market town into a Victorian shopping centre.
It was built in 1883 by local draper, Herbert Collings, well known for banishing the old system of credit in favour of the modern concept of cash only sales and introducing the idea of window shopping displays, which were made possible in the design of his new premises.
Before this time it was normal for people to hold an account at the shop and pay every month. Quite often a ‘House’ might send someone with the order, or latterly telephone, and the shopping would be delivered later.
HSBC Bank occupies the Grade II Listed ‘Town Hall Buildings’ built in 1887 by local butcher, David Harris, who occupied the corner section with three other units rented out. It is in the Arts & Crafts style with its characteristic Dutch influence. Having grown rich during the boom years after the coming of the railway in 1858 and not content with this magnificent display of civic pride, the following year, Mr Harris brought professional theatre to Bromley by building the Grand Hall later known as the New Theatre where BHS now stands.
Lloyds and Bon Marche occupy the former ‘Caters’ store built in 1957,
one of the first supermarkets in the country. The architecture has a ‘Festival of Britain’ feel. It occupies the site of the Old Bull Inn which was, in the 19th century, divided in two: Skilton’s the Butcher and Issards Stores. Some beautiful early 19th century paintings on wood panels from the old Bull Inn can be seen by appointment at Bromley Museum.
Cafe Rouge,
built in 1883 by local draper, Herbert Collings, This occupies the first building displaying the transition from a small market town into a Victorian shopping centre. Herbert Collings was well known for banishing the old system of credit in favour of the modern concept of cash only sales and introducing the idea of window shopping displays made possible in the design of his new premises. Turn right along the row of plantings and steps.
The Town Pump and Darwin Mural
The Pump stands 25 yards from its original site beside the old Town Hall Chambers. The Mural is by artist Bruce Williams and replaced one celebrating the life of HG Wells in 2008.
White Hart Slip leading to the Glades is one of the town’s ancient footpaths across the Bishop’s Palace lands (Civic Centre) . The Gates to Queens Garden were located in what is now the centre of the Glades now relocated near the playground, at the Garden’s entrance from Kentish Way. They are Grade II Listed.
Crepe Affair shop occupies the former premises of grocers David Grieg.
The name and date, 1912, are proudly displayed above Market Square. An early example of chain store shopping David Grieg and Sainsburys had a pact of non competition in the same town so DG had Bromley and Sainsburys had nearby Beckenham. The building is locally listed and notable for its neo- baroque architecture and the fine quality of the facade all made from moulded ceramic facing tiles. Continue round to the right, back in front of Primark
The half timbered Central block dates from 1930
replacing the old Town Hall. It is at the tail end of the Arts & Crafts movement in architecture in the, so called, Old English Style. Note the wooden pegs fixing for the timbers, the traditional steeply sloping clay tiled roof and tall chimneys typical of the Arts & Crafts style.Original shop fronts are at Barclays, Virgin Money (formerly the Dukes Dead Pub), Stonehenge cafe (formerly Kennedy’s).
UPPER HIGH STREET – walk north, up the High Street, past McDonalds.
The Bell Hotel group dates from 1898, is by Arts & Crafts architect Ernest Newton and the buildings are Grade II listed.
The Royal Bell replaced the old Bell Inn (picture above) made famous in Jane Austen’s ‘Pride and Prejudice’ when Lady Catherine de Burgh says to Elizabeth Bennet “Where shall you change horses? – Oh! Bromley, of course. – If you mention my name at the Bell, you will be attended to.” Jane Austen frequently travelled to Kent to visit her brother and would certainly have changed horses at the Bell.
Hunters the Jewellers has the finest surviving Victorian Shopfront in Bromley. A similar design for the tailors, Walter Tarry in the Upper High Street, was saved from destruction in the 1970s and is now on permanent display at the Museum of London at the Barbican
The Partridge pub was built in 1928 as the National Provincial Bank
. It is Grade II Listed and one of the finest examples of Arts & Crafts architecture in the town displaying the superb craftsmanship in design and use of materials. Note the fine door case reminiscent of that on Bromley College, the use of small, varicoloured bricks and sash windows. The circular vestibule with its curved doors and bevelled glass is of special note.
Next to the Partridge is George Pamphilon’s 1871 wine shop
. The name is displayed above the right hand entrance which was formally an opening to an ancient rear courtyard of stables incorporated into the main building in a few years ago. G Pamphilon was also an importer of Champagne from Epernay in France and this is celebrated in the carved bunches of grapes above the external columns (pilasters).
The British Heart Foundation occupies the premises of another successful local Victorian institution- Howards’ Stores.
The Tom Foolery occupies the Victorian ironmonger shop of George Weeks, local historian and philanthropist.
The Diner Inn occupies George Weeks’ 1890s extension to his original shop next door. Its grand Arts & Crafts, Dutch influenced architecture, displays both his personal success and civic pride. Note the name above the front gable and advertisement on the side wall all in enduring ceramic tiles. The shop replaced an old house whose important is that it had been the premises of the famous Bromley based surgeon, Dr James Scott. So respected was he that special stage coaches, known as the Scott Coaches, regularly plied for London the Bell Inn opposite for the convenience of his affluent patients.
Unique occupies one of a pair of early 18th century lodges at the entrance to the driveway to the Grete House,
a Tudor mansion and its lands occupying all of what is now Sainsburys store and car park. In the nineteenth century the lodge was the premises of Daniel Grinstead, one of a long line of seedsmen connected with the Mill at Southend, Downham. DG was a considerable entrepreneur and land owner. As director of the Bromley Electric Light Company he built, in 1898, a huge electricity generating station behind here with a tall chimney which belched black smoke over Market Square for 40 odd years.
Tunnel Shoes occupy the original 1902 premises of Boots the Chemists.
The Art Nouveau wrought iron work in front of the first floor windows is typical of boots in this period and similar work can also be seen in Boots old shop in the Pantiles in Tunbridge Wells. Behind the modern false ceiling the gallery of Boots famous ‘Penny Library’ still survives. The building replaced that of Rawes School, one of Bromley’s most important educational establishments in the 19th century.
The owner has allowed the beautiful elaborate dutch gables to deteriorate to such an extent that they had to be demolished. The only record is the mosaic at the Sainsburys bus stop (West Street)
The Barbers shop and next door shop occupy two early 18th century houses with Georgian brick frontages to what are timber frame buildings with typical Kentish weatherboarding at the rear.
Polomarket occupies what was an alley leading to Hooker’s Place an area described by ELS Horsburgh as ‘a picturesque group of small houses, some half timbered, surrounding a small square’ dating from the 17th century. Demolished in 1922.
The Picturehouse Cinema was built in 1936
as the Odeon in typical house style designed by George Coles. It has been lovingly restored and shows it original Art Deco detailing to best effect. Lovely bar at the back.
The Star & Garter replaced an ancient Inn of the same name in 1898.
The architects were Berney & Son and the style is Arts & Crafts ‘Old English’ and it is Grade II Listed. Note the projecting upper storeys, turret, finely carved wooden signboard and surviving etched glass and mirror work.
Wells Florists , Metropolis etc– a late Georgian terrace punctuated by an ancient ‘slip’ now known as Naval Walk. Part of the terrace was faced in rusticated stucco in the 1920s.
Bromley Zoo Mural was designed and painted by artist Bruce Williams in 2001 to lead shoppers from the Hill Car park via Naval Walk to the High Street. A panda and leopard lurk among the shrubbery and a variety of animals are presented in cunning trompe l’oeil (trick the eye) scenes.
The Swan & Mitre Pub is of uncertain date but at least early 18th century,
timber built with a Georgian brick frontage and portico. It is Grade II listed and of immense historical importance being one of the three coaching Inns upon which the town’s prosperity largely depended. The interior contains decorative mirrors which once adorned the dressing room of the Music Hall artiste, Marie Lloyd. Until relatively recently a hanging sign depicted a swan and a bishop on a stage, a witty variant of the Actress and the Bishop joke in reference to the Bishop of Rochester’s endowment of Bromley College immediately opposite.
Bromley College
is the Grade I listed, Jewel in the Crown of Bromley, regarded by English Heritage as one of the most important seventeenth century almshouses of its kind in the country. It was endowed by Bishop Warner, residing at Bromley Place (Civic Centre) in 1664 as sheltered housing for the widows of Clergy and still has similar function now open retired Clergy of both sexes. Designed by Richard Ryder.
To the rear is the Grade II Listed Sheppards College built in 1840 for the daughters who would previously had been sent to the workhouse after the death of their mothers. The main gates fronting London Road are original bearing the date 1666 and Bishops Mitres (hats) in stone on the gate piers. The grounds are very fine containing four great cedar trees planted in 1820. 100 years earlier two black mulberry trees were planted in the grounds and one on what is now adjacent College Green (See Walk 3) . All three Mulberrys still survive and bear fruit in summer.
Produced by Bromley Civic Society and The Friends of Bromley Town Parks – June 2011 www.bromleycivicsociety.org.uk www.bromleytownparks.org.uk
This land, and lovely view, was saved from development by public subscription and was purchased by the town in 1878. This ode was posted in the Bromley Record to promote the campaign:
“On this, the people’s piece of land, May builder never ply his skill. May never innovating hand deprive the town of Martin’s Hill.”
In the early years of the railway, the slopes were noted for the perfusion of broom, and made the hillside appear quite yellow from the train.
The war memorial is designed by Sydney Marsh, and the obelisk has the bronze figures of Liberty, Victory and Peace. It was erected in 1922 to commemorate the local people who died in WW1 and WW2.
Sand Martin in flight (wiki)
There is some debate as to the origin of the name Martins Hill; it could be because it was where all the house and sand martins flew in the thermals from the slope. The sand martins nested where Westmoreland Place / St Marks square is now, and in brick pits like the one where Havelock Rec is now.
In the early years of the railway, the slopes were noted for the perfusion of broom, and made the hillside appear quite yellow from the train.
H.G Wells describes playing here in his writings, and the former appearance of the Ravensbourne, in the days before the pumping stations at Shortlands and Sparrows Den had not taken much of the flow away:
“Here, too, if my memory serves me aright, the river met – with a certain air of patronage – a shallow, rippling foot-wide tributary, rich in cress and water-snails and minnows, that came from a tree bordered pond [below Durham Road], duckweed covered and dear to dragon-flies and water-wagtails. Over that tributary Frank Blake used to jump with his little brother in his arms. “Thereafter the river ran shallow for a time under a fence, and became a mere stew of frog spawn or black tadpoles according to the time of year. Then a long line of trees and a footpath to Shortlands touched it.” [This account fits well with the 1863 Ordnance Survey map. Paul Rainey] “When I was about nine years old [1875] there was talk of improving the town. It was about this time that the Ravensbourne began to shrink. I remember how we youngsters thought it a very fine thing at first. Gravelly islands covered with dried green algae began to appear in the river where no islands had been before, and one could wade anywhere. The fishes crowded into the deeper pools, and were more easily caught. “That winter the meadows were not flooded, and there was no skating, and the next summer the fishes had gone, the tadpoles and the forget-me-nots, and the river bed was only fit for playing Sahara in, with one thin thread of water trickling down its centre. “I saw my River Ravensbourne from the train yesterday [1894]. The little trickle of water is still running, but most of the bed of the river is dry.”
These quotes are taken from the Pall Mall Gazette, a note HG Wells had written, called “The Degeneration Of The Ravensbourne, A Memory of Bromley”. Paul Rainey and the BBHLS have an interesting article where they have taken these quotes from this publication and correlated them to the Ordinance Survey maps of that time.
About 40 years before that, Edward Strong had written in his directory of Bromley:
The river Ravensbourne and catchment to the Deptford Creek.
“…the most striking prospect, and one that every one who visits this Town, should endeavour to see, presents itself from Martin’s Hill, west of the church; from this spot may be seen, the whole front of the Crystal Palace, its Terraces, Fountains, and Gardens, and persons with moderately good sight may see the company there, on a fine day; and with a good glass may be able to recognise a neighbour, the distance between, being about three miles in a straight line. On the extreme left, is seen the Village of Keston; near the two Windmills which attract the visitor’s eye in this direction, is the source of the River Ravensbourne.”
Below is a montage of some old photos of Martin’s Hill and the view from it:
Saving the Hill:
In 1877-8, the town campaigned to save Martins Hill from redevelopment (see ode above). Parts of it had already been sold off in 1858 to Mayor William Starling, who built for himself Hill House, as well as other speculative developments. It was owned by the Church Commissioners and was finally purchased by the town in 1878 and set out as Bromley’s first recreation area. In 1887, in celebration of Queen Victoria’s jubilee the lower slopes of the Hill were acquired together with the meadow which was renamed Queens Mead.
Though the classic and best examples of the arts and crafts movements are in our historic town centre, many of the houses in the large new suburb areas, drew inspiration from them.
These 1930s houses draw inspiration from the black-and-white fashion, that recalled medieval black-and-white buildings that are traditional.These houses on Godwin Road (1932) have the same bow fronts as Ernest Newton’s Royal Bell Inn on the high street.
Site L: DHSS Building and Christian Centre, Westmoreland Road & Mason’s Hill.
A hotel development was approved in 2013 by the Council but the site was acquired by the Department of Education and subsequently subject of an application for a 10 storey School building (the SHAW). This was recommended for approval by Council officers but refused by Councillors. The subsequent planning Appeal was dismissed February 2019 mainly on grounds of the loss of the protected view of Keston Ridge which is something of a breakthrough decision for environmental matters in the Town Centre.
Site K: Westmoreland Road. Now the 16+-storey “St Marks Reach” complex. In March 2012 Cathedral Group received planning permission to replace the existing multi-storey car park with a nine-screen multiplex cinema, hotel and 200 homes in a very high tower.
(Planning ref: 11/03865/FULL1). The outline plans predate the drafting of the AAP and the development is now complete nicknamed variously as the ‘ski slope’ or ‘titanic’ because of its shape by locals.
Site J: Bromley South Station ( now included in Site G/10 in the Local Plan. Upgrade of the station facilities, funded through the government’s Access to All programme. Completed Spring 2012.
Now part of Site G/10 (west side of the High Street) earmarked for housing development: the station and platforms will be underground, with 8 high rise blocks above it.
Site G: Lower High Street (Local Plan Site 10 now extends to include BS Station and platforms). AAP proposals for a shopping Mall now scrapped in favour of the Local Plan modification for 1230 residential units plus offices. Vicinity of TK Maxx site is identified in the AAP as possibly suitable for a tall/taller building. This gave rise to a 2018 consultation by the owner for a 20 storey block of flats opposed by BCS. No planning application as yet.
This is the most controversial of all the development sites. The Council intend acquiring by CPO the 40 homes in Ethelbert Close for what is called Phase One – Churchill Quarter. This is a co-development with the Council of 410 flats still awaiting a decision. The AAP Inspector required the Council to produce a Masterplan for the whole site but this was only produced in 2018 well after the Churchill Quarter application was made and proposes a mass of tower blocks. The upper part is in the town centre conservation area and environmental groups including Historic England have objected both to Churchill Quarter and the Masterplan. A decision on both from the Council is still awaited. In 2014 Crest Homes implemented a large flatted development in Ringers Road on part of the site which had already gained permission from the Council before the AAP have been drafted.